What I Love About Looking at Paula Lycan‘s Work is its Ability to Travel Through Time. These photos feel incredibly contemporary, depicting queerness in a way that is both sensitive and political. But there are also references to the early beginnings of queer photography, the textural and sensual darkroom prints of people like Peter Hujar. Paula’s construction of the visual language of the darkroom also feels like a very fresh take on visualizing queerness. Reclaiming the labor and physicality of the darkroom tangles into the physicality of the body present in Paula’s images creating a poetically intricate narrative. – LENSCRATCH
When Any Camera Intrudes Into a Person’s Space that Person Becomes Normative or in Other Words, Adopts a Pose That They Feel Is the Right Way for Them to be Perceived
Unless you take out your camera in front of an inanimate object or a person without any prior knowledge of cameras and photography there will be a change in your subject when they realize they are being photographed. The photographer has always hankered for invisibility.
When any camera intrudes into a person’s space that person becomes normative or in other words adopts a pose that they feel is the right way for them to be perceived by the photographer at hand. Big setups like those with a camera on a tripod and studio lights will give off a more formal feel from the subject while small cameras and less of a studio setup will give off a more informal feel from the subject at hand. In both situations, the intervention of more of the joint humanness shared by both the subject and photographer can lessen the normative behaviour of the person or people photographed.
If the photographer comes away from behind the camera body by using a waist-level viewfinder and or engages more with the subject, the subject will in turn relax and give more of their spirit to the resulting photographic images.
The subject too must be able to trust the photographer to give of their self into the same resulting photographs.
Drink some coffee.
When photography was born, the early cameras were bulky and very noticeable. The image through the lens was transferred onto a large sheet of glass and from this glass plate, a contact print was made. Candid photography was not generally possible. It was only with the start of production of the small rangefinder camera in 1932 and later SLR cameras that it was possible for the photographer to focus accurately and fast candid photography with a small camera was also born.
With the advent of digital photography, the world is awash with the photographic images of everybody and all their neighbours too. The days of many people feeling the need for the services of a person who understood the art of photography are largely over. Everyone now thinks that they are a photographer in their own right. In this wash of people taking pictures of themselves and their friends, the narrative photographer can at last hide in plain sight. The photographer can be invisible in plain sight in this wash of image takers while continuing documenting life as he or she uniquely perceives.
The Leica M6 camera is a small analogue rangefinder camera, it is what I use for most of my personal photographic work. The Leica M6 is a small quiet rangefinder camera and in many ways, it is just like the first rangefinder cameras of 1932 which could be used without much attention called to its self unlike the bulky cameras of those times.
Alongside my Leica M6, I am now starting to use my iPhone 6 phone camera for some of my personal work too.
With the wash of many people taking selfies with mobile phone cameras in public places, I have found out that I can use my mobile phone camera for street photography with drawing close to zero attention to myself while doing my stuff as a narrative photographer.
In many ways, the modern mobile phone camera is the Leica M camera of its day. My iPhone 6 camera is hiding in plain sight in the midst of all the other mobile phone cameras clicking round about…
One goal Of dialogue Among Cultures And Civilisations Is To Recognise And To Understand Not Only Cultures And Civilisations Of Others, But Those Of “One’s Own.” We could know ourselves by taking a step away from ourselves and embarking on a journey away from self and homeland and eventually attaining a more profound appreciation of our true identity.
It is only through immersion into another existential dimension that we could attain mediated and acquired knowledge of ourselves in addition to the immediate and direct knowledge that we commonly possess. Through seeing others we attain a hitherto impossible knowledge of ourselves. – Mohammad Khatami, former president of Iran. (pp 267) Reconciliation, Pocket Books, London.
How To Properly Measure Your Instagram Engagement Numbers
When building a business on Instagram, everything you do should be focused on 1. maximizing the number of people who look at your content and 2. care enough about it to take action whenever you ask them to do anything (tap, click, buy, comment, share, think, etc.).
You can buy or hack your way to millions of people looking at your content, but if none or a very low percentage of them care enough about it to engage with it (like, comment, share, save, repost, etc.), then how can you expect them to make the even more involved step of visiting your website, or buying your products, or donating to your charity, or being interested in the products you promote? You can’t (and you shouldn’t)…
6 min read
People Behave In A Normative Way In Front Of The Camera.
The camera produces a photograph which is a representation of what is in front of the camera lens, this photograph is not a painting that is first interpreted by the eye and mind of the artist and then painted onto a canvas or other surface.
When taking pictures the photographer must feel as at home with the camera in hand, as with the very fingers when picking up a mobile phone for example. Get to internalise the aperture, shutter speed and ISO of your camera and photography. Photography is about the images photographed as brushing teeth is about mouth hygiene and not the toothbrush its self. There are many people around that are more interested in the technology of photography and the camera then the moments seen with it. I feel photographers must keep the main thing the main thing…
Taking a photograph is as much about what is cropped out as much as what is left in the camera frame. A photograph is also about the position of the photographer and the camera introduced onto the scene or moment captured too. When a Photograph is taken the photographer has left some aspects of the scene out of the picture entirely, made other things seem small and insignificant in the background and highlighted other aspects of the scene in the foreground giving them more prominence.
Stop for some coffee.
The act of photographing needs the photographer to introduce into the scene a camera body and lens. This act alone lets the subject know that they are now ‘on camera’ as it were and the photographer is there to record their activities while there. The mere introduction of a camera into a situation can cause situational changes once it is out there… Pierre Bourdieu says the introduction of a camera into a subject’s setting introduces a reaction from the subject, people behave in a normative way in front of the camera. There are decisions that the photographer has made during the moment in time it was captured.
The social documentary photographer Dorothea Lange said that to know ahead of time what you were looking for meant that you were only photographing your preconceptions. Lange said that you should rather work by looking at that which you instinctively respond. Certain moments just catch the eye…
Durban Beachfront in Total Covid 19 Lockdown.
South Africa is taking the call of President Cyril Ramaposa seriously, freelance photographer John Robinson cycled the length of the Durban beachfront in total isolation, meeting no one except for a few security guards and police. The public pools of Wedge Beach now have a post-apocalyptic feel to them.
Images Of an Old Lady At the End of Her Life and a Girl Who Is Starting Out on Life
Photos John Robinson
At the time when my mother’s independence failed her, my daughter Erin’s (1) was just developing. These seven images are aspects of an interaction between an old lady at the end of her life and a little girl who is only starting on her life. We are all somewhere between these two points. These images were taken during family visits to the frail care centre where my mother spent the last few months of her life on this earth.
My mother Lin Robinson had an Astrocytoma grade 4 tumour removed from her brain, after the operation, the surgeon said to my dad and I that mom had 3 to 6 months to live. Lin Robinson went on to live another 10 years or so. After one more operation, my mom opted to have no more surgery done in her head. The last years of her life were quieting ones, there were the visible effects of brain surgery and the invisible ones too to be detoured around by the whole family.
My dad cared for mom at their home until the point came where mom had to be cared for in a frail care centre. Lin Robinson always liked to walk around in the garden with her husband holding the flowers that he grew for her. She died in a room with a wheelchair beside her bed and had to rely on my dad to get food into her mouth. The last time I saw her alive she knew that I was taking pictures and she smiled at me, it was too late for words.
I feel that my mother just got tired of what is, my father and mother were people of great faith and she wanted to move into the great beyond.
That night I drove home under a starlit night after taking the last photograph of my father’s hand and my mother’s now dead face.
“If You Are Foreigner Man Living in Durban This Program is Gonna Help you to improve your health and to prevent some kinds of diseases which can lead you to early death…”
The late winter sun and the sound of hustling taxis filter up through the window behind my back. I know Dr Emmanuel Tshimanga as a Congolese parking attendant at a local shopping centre here in Durban, South Africa.
The man in front of me glows with an inner light, he has such piercing eyes. he is now doing what has been bubbling up within him. Dr Tshimanga trained as a doctor in the Democratic Republic of Congo and now just waiting for his South African Health Council number to practice as a doctor in South Africa. He is here today advising fellow foreign men on how to cope with their health.
The tall figure of Dr Tshimanga flows without effort between French, Swahili and English using voice, eyes and hands to get the 3 men to my side up to speed on handling stress in their lives.
I will come back for pictures when I have the consent of the director of the Denis Hurley Centre and the men in this room. For now, I am just seeing my friend in a new light.
I now have some European editors in waiting for my proposed inner Durban City stories.
But without connection and trust, these stories will never touch down on sensor or film, so today is about connecting with a friend and building trust for tomorrow.
As JP Sudre States in Photography A Middle-Brow Art. “The Subject That I Photograph is Ephemeral.
Photography alone captures a precise moment, which disappears and which cannot be brought back to life, hence my distress and also the essential originality of my profession. What could be more transient then a facial expression? Within these words of Sudre lies the importance of the cameras we as photographers use. Alongside the importance of the ephemeral moments that photography alone can capture, revisting the technology inherent in the camera systems that we use, as photographers trying to capture these moments, is of great importance too. I as a photographer use a ‘M6 rangefinder camera for important personal projects when possible.
On 27 April 2019 People Across Durban Celebrated 25 Years of Democratic Freedom in South Africa with a prayer walk on the beach front stopping for praise, declarations and an open air communion service on the sand. The walk was finished off with collecting litter off the Durban beaches. – John Robinson