Camera & Coffee Sessions, Small Cameras

SINDI ZILWA
SINDI ZILWA Photo John Robinson

When Any Camera Intrudes Into a Person’s Space that Person Becomes Normative or in Other Words, Adopts a Pose That They Feel Is the Right Way for Them to be Perceived

Order coffees.

Unless you take out your camera in front of an inanimate object or a person without any prior knowledge of cameras and photography there will be a change in your subject when they realize they are being photographed. The photographer has always hankered for invisibility.

When any camera intrudes into a person’s space that person becomes normative or in other words adopts a pose that they feel is the right way for them to be perceived by the photographer at hand. Big setups like those with a camera on a tripod and studio lights will give off a more formal feel from the subject while small cameras and less of a studio setup will give off a more informal feel from the subject at hand. In both situations, the intervention of more of the joint humanness shared by both the subject and photographer can lessen the normative behaviour of the person or people photographed.

If the photographer comes away from behind the camera body by using a waist-level viewfinder and or engages more with the subject, the subject will in turn relax and give more of their spirit to the resulting photographic images.

The subject too must be able to trust the photographer to give of their self into the same resulting photographs.

Drink some coffee.

When photography was born, the early cameras were bulky and very noticeable. The image through the lens was transferred onto a large sheet of glass and from this glass plate, a contact print was made. Candid photography was not generally possible. It was only with the start of production of the small rangefinder camera in 1932 and later SLR cameras that it was possible for the photographer to focus accurately and fast candid photography with a small camera was also born.

With the advent of digital photography, the world is awash with the photographic images of everybody and all their neighbours too. The days of many people feeling the need for the services of a person who understood the art of photography are largely over. Everyone now thinks that they are a photographer in their own right. In this wash of people taking pictures of themselves and their friends, the narrative photographer can at last hide in plain sight. The photographer can be invisible in plain sight in this wash of image takers while continuing documenting life as he or she uniquely perceives.

The Leica M6 camera is a small analogue rangefinder camera, it is what I use for most of my personal photographic work. The Leica M6 is a small quiet rangefinder camera and in many ways, it is just like the first rangefinder cameras of 1932 which could be used without much attention called to its self unlike the bulky cameras of those times.

Alongside my Leica M6, I am now starting to use my iPhone 6 phone camera for some of my personal work too.

With the wash of many people taking selfies with mobile phone cameras in public places, I have found out that I can use my mobile phone camera for street photography with drawing close to zero attention to myself while doing my stuff as a narrative photographer.

In many ways, the modern mobile phone camera is the Leica M camera of its day. My iPhone 6 camera is hiding in plain sight in the midst of all the other mobile phone cameras clicking round about…

If you like what you have seen and read here, you can always buy me a $3.00 coffee at https://www.buymeacoffee.com/JohnRobinson or PayPal.Me/jrphotographer

#Dialogue…

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NELSON MANDELA ATTENDS A REUNION OF HIS WITS UNIVERSITY LAW CLASS. 1996 WITS UNIVERSITY JOHANNESBURG SOUTH AFRICA PHOTO/JOHN ROBINSON

One goal Of dialogue Among Cultures And Civilisations Is To Recognise And To Understand Not Only Cultures And Civilisations Of Others, But Those Of “One’s Own.” We could know ourselves by taking a step away from ourselves and embarking on a journey away from self and homeland and eventually attaining a more profound appreciation of our true identity.

It is only through immersion into another existential dimension that we could attain mediated and acquired knowledge of ourselves in addition to the immediate and direct knowledge that we commonly possess. Through seeing others we attain a hitherto impossible knowledge of ourselves. – Mohammad Khatami, former president of Iran. (pp 267) Reconciliation, Pocket Books, London.

If you like what you have seen and read here, you can always buy me a $3.00 coffee at https://www.buymeacoffee.com/JohnRobinson or PayPal.Me/jrphotographer

Xenophobia On The Streets of Durban

Crowded in between a landlord and fear of Xenophobia in the streets of South Africa.

Crowded in Between a Landlord And Fear of Xenophobia in the Streets of South Africa. Photo John Robinson

The Madiengua family lives in an overcrowded flat in the Point area of Durban, South Africa or “Little Nigeria” as it is locally known.

This family lives with their personal belongings packed in plastic bags in case of immediate eviction by the landlord of their building in the Point area of Durban, South Africa, Paty Madiengua stands with his wife Yvette and 4 children L to R Ephraim (15), Sabrina (14), Geffrey (10) and Genesis (2) in the kitchen of their flat ready be on the move again.

Yvette comes from the village of Buta in Oriental Province, DRC. her parents were killed by the DRC army, she escaped to Kinshasa with her brother and sister where her brother went missing. Yvette met Paty who worked as an egg vendor on the streets of Kinshasa and followed him to South Africa with their 4 children.

Paty works the night shift as a security guard in the city and Yvette sells clothes on the beachfront. Mr Madiengua’s salary does not match up to the rent on their 14th floor flat, the landlords in the area are getting rid of families on the overcrowding rule. While the Madiengua family feel safe in their flat they struggle to keep up with the rent and the cost of a family and they are “fearful of the xenophobia in the townships”.

 

Garage Salesman

Mark Cook Stands Out On The Pavement of ZK Mathews Road

Cook irks ill informed Durban city officials with his ‘willing seller willing buyer’ of private items from his home garage in Glenwood, Durban, South Africa.

Photographers Are Poets & Spirit Thieves

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Sitting Half Way Up Some Stairs In Kinshasa, DRC.

Photo John Robinson.

As a self confessed visual poet and spirit thief, I will do well as a photographer to make some of my own spirit more available to the people around me.

In a conversation with T-Bone at the BAT Centre in Durban about the tangibility of the substance of a good photograph, I realized that as a photographer I am able to connect with the spirit of others and or the spirit of the moment before my lens but I am hard pressed to share my self with those around me on a daily basis.

T-Bone asked me if there was a tangible transfer of something when a photograph is taken “like in drama on the theatre stage” I said a big yes to his question, T-Bone is a drama specialist at the BAT Centre. I have seen many ‘stiff’ or ‘dead’ photographs to conclude that something of the ‘spirit’ or the ‘moment’ resides in some other photographs. I told T-Bone that a photographic image that speaks to the viewer is the same as the stage drama that speaks to someone in the audience in this sense.

Take my camera out of my hands and I become a bit of stiff too, but I am learning to loosen up on my spirit in the social sense, it’s hard, but I am making headway. I don’t like the word ‘networking’ and I am an useless networker, but I like the word ‘connect’ and as a photographer I understand the concept. By connecting my spirit with those of others, those others may too get a hold on who I am as a person, while I get a hold on something of their spirits. We are members of human race and all have something in common; and it is for us to find out what our commonalities are and blossom together if possible.

As a narrative photographer I am a task master at lurking on the edge of an activity with my ‘M6 and getting away with some of the gold on offer. As a member of the same race that I shoot I am too now more giving of my own spirit to those others around me. It’s like giving back of what I have gotten over the years as a photog; and it’s good for me too. I am freed up to just be me more often, and in front of others too.

They say “live by the sword and die by the sword”… I add to this by saying I can also live more fully too before the end comes as it will for everyone of us.

THE CLANS OF THE CAVE MEN

I describe clannish behavior as following: One against his brother, brothers against sisters, siblings against cousins, a group of people against an other and so on to the end of the county. Bitterness runs deep; and there can be no forgiveness as it is beyond anyone to unravel the resulting multi generational mess.

Fiction writing has many examples of clannish ways, stories of ancient People who are caught by ways of the past; who cannot see new ways forward. History has more examples of the same; the Balkans is a place where the people of the same land have fought brother against neighbor over issues of old. Jean M. Auel also writes about a young girl; a medicine woman trained in the art of healing, shunned by her own people and forced to leave a place due to the infighting cave men in her land. It does not matter if it is your sister or your own cousin; it does not matter if there are issues of belief and appearance. sometimes it is just a matter of the potential gold in your pocket…

The shunning of the other in our midst or clannish behavior is the issue behind racism, xenophobia or genocide call it what you will.

We live in a communal village, and we are all cousins in the Human family…

XENOPHOBIA

Fear of the other took the United Kingdom out of the European Union; this takes me back to the Roman Empire and the Huns on it’s eastern frontier, and the ongoing mistrust between the sedentary and the nomad.

Both peoples have a thirst for land, and we all live in the same village now, it’s called Earth.

Understanding is a good antidote for fear-of-other or xenophobia. No country is really an island in the end. Humankind will have to live together, and just get to understand each other in our midst…

JUJU, THE KING MAKER

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Julius Malema; the young vocal leader of EFF is a festering thorn in the side of many South Africans who support the Democratic Alliance. ‘Juju’ as he is known on the streets of South Africa is known for anti eurocentric rants like “one boer one bullet”.

Julius Malema came out of the ranks of Jacob Zuma’s ANC as the leader of their youth wing, he was also a close supporter of Jacob Zuma. Disgruntled, Malema left the ANC to form the Economic Freedom Fighters a vocal leftist political party with much inside knowledge of the ANC. The EFF are now in overall third place in the South African Local Government 2016 elections. Juju is now in the position of king maker to the Democratic Alliance to the ire of some of its pale supporters in some areas where there is no outright winner in these elections.

South Africa is now in the age of coalition politics whether some people in the country like it or not…

TRADITIONAL LEADERS COME TO GRIPS WITH CONSTITUTIONAL LAW

 

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Traditional leaders in Eshowe, KwaZulu-Natal, South Africa attend a workshop held by CREATE CBR to raise awareness around disability issues in the area.

Sometimes it’s the simple image that gets the message across. A photo is like a triangle, it has technique, composition and story. This time it’s just the simple story of a ‘saintly’ traditional leader reading the South African Constitution in the midday sun outside the Mpungose Traditional Court that is the driving force behind the photograph.