When Any Camera Intrudes Into a Person’s Space that Person Becomes Normative or in Other Words, Adopts a Pose That They Feel Is the Right Way for Them to be Perceived
Unless you take out your camera in front of an inanimate object or a person without any prior knowledge of cameras and photography there will be a change in your subject when they realize they are being photographed. The photographer has always hankered for invisibility.
When any camera intrudes into a person’s space that person becomes normative or in other words adopts a pose that they feel is the right way for them to be perceived by the photographer at hand. Big setups like those with a camera on a tripod and studio lights will give off a more formal feel from the subject while small cameras and less of a studio setup will give off a more informal feel from the subject at hand. In both situations, the intervention of more of the joint humanness shared by both the subject and photographer can lessen the normative behaviour of the person or people photographed.
If the photographer comes away from behind the camera body by using a waist-level viewfinder and or engages more with the subject, the subject will in turn relax and give more of their spirit to the resulting photographic images.
The subject too must be able to trust the photographer to give of their self into the same resulting photographs.
Drink some coffee.
When photography was born, the early cameras were bulky and very noticeable. The image through the lens was transferred onto a large sheet of glass and from this glass plate, a contact print was made. Candid photography was not generally possible. It was only with the start of production of the small rangefinder camera in 1932 and later SLR cameras that it was possible for the photographer to focus accurately and fast candid photography with a small camera was also born.
With the advent of digital photography, the world is awash with the photographic images of everybody and all their neighbours too. The days of many people feeling the need for the services of a person who understood the art of photography are largely over. Everyone now thinks that they are a photographer in their own right. In this wash of people taking pictures of themselves and their friends, the narrative photographer can at last hide in plain sight. The photographer can be invisible in plain sight in this wash of image takers while continuing documenting life as he or she uniquely perceives.
The Leica M6 camera is a small analogue rangefinder camera, it is what I use for most of my personal photographic work. The Leica M6 is a small quiet rangefinder camera and in many ways, it is just like the first rangefinder cameras of 1932 which could be used without much attention called to its self unlike the bulky cameras of those times.
Alongside my Leica M6, I am now starting to use my iPhone 6 phone camera for some of my personal work too.
With the wash of many people taking selfies with mobile phone cameras in public places, I have found out that I can use my mobile phone camera for street photography with drawing close to zero attention to myself while doing my stuff as a narrative photographer.
In many ways, the modern mobile phone camera is the Leica M camera of its day. My iPhone 6 camera is hiding in plain sight in the midst of all the other mobile phone cameras clicking round about…