BETWEEN A LANDLORD AND THE XENOPHOBIA ON THE STREET

Crowded in between a landlord and fear of Xenophobia in the streets of South Africa.

Crowded in between a landlord and fear of Xenophobia in the streets of South Africa. Photo John Robinson

The Madiengua family lives in a over crowded flat in the Point area of Durban, South Africa or “Little Nigeria” as it is known.

The Madiengua family live with their personal belongings packed in plastic bags in case of immediate eviction by the landlord of their building in the Point area of Durban, South Africa, Paty Madiengua stands with his wife Yvette and 4 children L to R Ephraim (15), Sabrina (14), Geffrey (10) and Genesis (2) in the kitchen of their flat ready be on the move again.

Yvette comes from the village Buta in Oriental Province, DRC. her parents were killed by the DRC army, she escaped to Kinshasa with her brother and sister where her brother went missing. Yvette met Paty an egg vendor on the streets of Kinshasa and followed him to South Africa with their 4 children.

Paty works night shift as a security guard in the city and Yvette sells clothes on the beach front. Mr Madiengua’s salary does not match up to the rent on their 14th floor flat, the landlords in the area are getting rid of families on the over crowding rule. While the Madiengua family feel safe in their flat they struggle to keep up with the rent and cost of a family and they are “fearful of the xenophobia in the townships”.

 

IN EKUTHULENI TRANSIT CAMP

IPJR1410

Ekuthuleni Transit Camp in Durban, South Africa sits on a slope in T Section of Umlazi, it is next to a grave yard, above a sewage processing plant and just underneath high tension power lines and in the words of Bheki Mngadi a resident of the transit camp “there is an uneasiness to this place” – John Robinson

FREEDOM DAY WALK, DURBAN

On 27 April 2019 people across Durban celebrated 25 years of democratic freedom in South Africa with a walk on the beach front stopping for prayer, praise, declarations and an open air communion service on the sand. The walk was finished off with collecting litter off the beach. – John Robinson

BEVERLEY GURU GIRL BURNE @ WORK

Beverley and I were at design school together, she discovered her inner guru and I discovered those moments that are fleeting just like a cat in your garden… JR

GARAGE SALESMAN…

Mark Cook stands out on the pavement of ZK Mathews Road in Durban, South Africa. Cook irks ill informed Durban city officials with his ‘willing seller willing buyer’ of private items from his home garage.

SHOOTING IN A QUIET PLACE

The relationship between people and their God is a soulful place, belief is such a strong force; and there is very little that can break that system. I know this from my own relationship with God or Abba Father. I commune and walk in this space too.

To take out a camera in a place of worship is not something I can do lightly, I have to be trusted and walk through these flowers with out a hint of damage, each picture will be seen by those in that place and as a fellow worshipper I am not an outsider that can get away and never come back after the stems are broken and petals crushed.

The moments taken are considered first before committed to a place in the public space. I also know of no better tool then a 35mm film based rangefinder camera for this work, there is no hurry in this way of work; and thus plenty of time for the considering of the fall out from my actions on the day…

THE SOCIAL BY THE POP UP AND MALLAZ CUSTOMS

I am marking myself out as an event photographer to provide a record of people’s house parties, clubs and events in around Durban, South Africa…

While Reclining one Saturday afternoon in ‘Little Nigeria’ (South Beach) Durban, South Africa…

The men are drinking quarts of Black Label upstairs while the woman folk are rubbing  down my host’s wife with peanut butter and tomato sauce in the courtyard at the back of the building in a well humoured anticipation of an addition to the host’s family.

The man talk is of a celebrity visit to South Beach; and there are strong views on this issue: will South Beach be graced to this magnitude or will the area once again be left out in the cold?

The blue walls of this building contain dramas that could feed a T.V. series for a season or two.  Outside in “piss alley” the road is controlled by the Congolese, inside the building my host’s brother rules the realities of life. The building has about 14 flats rented to people who cannot afford beach front apartments on the golden mile… Little big eyes and her peanut covered mommy come back from the courtyard and her daddy is shocked by what the women have done to his babe.

The fast beats of tech music fill the background of beer and men talk all afternoon, the brothers are close and the under current of the talk is coping with life and concern that hurt is kept away from the family. Hurt and life is interrupted by asking for this or that tune to be played. Our ‘beer talk’ is mixed with two plates of cake, pretzel sticks, sweets and cookies and a bowl of sugared pop corn from the baby shower in the courtyard.

I place a blanket over the little girl who is soon to be ‘big sister,’ not even strange visitors and cartoons on the T.V. can keep her upright. My bicycle ride home is delayed by a swapping of movies and series for .jpg files of family pics I have done for the host in the past.

My ride home on Lady of Loreto, I named my bicycle after a patron saint of flying, is stopped for the fuel of a mutton curry pie on Maydon Road past the back of the Durban Port to my room in Woodlands in south Durban.

 

 

 

 

 

 

New Work…

IPJR16498320

Left to right: Teddy, Jason, Cindy and Leele. 2018, Anton Lembede Street, Durban, South Africa.

Teddy is standing in for Jason and Cindy’s soon to be expected addition to their family, Cindy is now just short of seven months pregnant. I have so much hope for this small family unit, Jason and Cindy have such a strong bond, and are soon to be married too…

A friend of mine has agreed to marry Jason and Cindy when the time is right.

JR

 

 

Fools Only Go Where Angels Don’t Tread

I always carry my Leica M6 around with me because it has become a habit, it is my comfort blanket of sorts; and there is always a roll of colour film in it and a spare roll in my shoulder bag. Without my camera on me I have no chance of shooting a decisive moment, with my M6 on me I may just be in with a chance as it where. Decisive moments are not only in places of high drama and action worthy of front page news, often the best of them go past unnoticed. The photographer just has to be at the right place at the right time, that place can be anywhere that life is being outworked. But I am not writing about just getting out there and snapping pictures, this is about playing it forward.

I liken narrative photography to walking carefully through a flower bed, I want the telling pictures but without plowing up the space that I am working within.

The other day I took a long walk to clear my head and to put the city behind me; and the beach does that for me. I am working on a body of beach scape pictures, it’s a move from the person centric portraits of my South Beach work to a more environment centric focus of local beaches. I made a dent in the project with a few new images, but then the rest of the afternoon was quiet time for me to just absorb the space around me. I could have loaded a fresh film but the feeling to sit on the outskirts of the day’s activities and just look at what was was stronger.

Cuttings Beach is an 1.5 hour walk from where I stay in Durban South, it is just beyond a cemetery and a wetlands and between the Mondi paper mill and the SAPREF oil refinery. It was a Sunday that I felt that just looking was the better option. A large group of believers in the local Shembe faith were there alongside the normal subsistence fishermen who have made this place a home from home. By just sitting on the side I got to look deeply and enter into a conversation with one of their church elders, I came away with an understanding that will be of use next time I am communicating more fully aspects of the Shembe faith.

That day I made more then one new friend and made concrete for myself the concept of walking softly through the fields of photographic flowers.

As a narrative photographer I don’t want to be so busy taking pictures of all that is around me at the expense of first engaging with aspects of these subjects. How can I my photographs narrate fully if I as the author don’t first engage with the spaces? I want to dig below the surfaces with my images; and my conversations that Sunday opened up these narratives for future readers of photography. Instead of just a picture of an ‘unaware of it’s fate’ chicken on an African beach I can have a deeper outworking, by now knowing somethings more of the goings on of Cuttings Beach, Durban, South Africa.