PRAVIN GORDHAN @ VIVO RESTAURANT

Vivo Restaurant Umhlanga proudly hosts a Business Dinner with key note speakers: Pravin Gordhan, Sihle Zikalala and Fawzia Peer. – John Robinson

THE ENVIRONMENTAL PORTRAIT IN A WORLD OF ‘SELFIES’…

Jessica on a red sofa and Mark Cook with his private garage sales, 2 environmental portraits by John Robinson.

The environmental portrait is a telling photograph of a person or group of people, it gives the viewer insight into an aspect of these people’s lives. In a FaceBook world of hyper happy selfies the environmental can introduce into the conversation a sense of calm and connection between the Subject and the viewer.

The environmental portrait has always been my first love in photography; and I offer environmental portraits in the Durban area done on A3 cotton rag art paper of yourself and or group for ZAR 1000.00 per print.

 

THE SOCIAL BY THE POP UP AND MALLAZ CUSTOMS

I am marking myself out as an event photographer to provide a record of people’s house parties, clubs and events in around Durban, South Africa…

Painting With Light

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I love perspective, photography is also about perspective as it is about cropping, to understand something better I have to sometimes walk across and stand in other shoes. Perspective helps me to to see as other people might have seen.

What is photography?

At the roots of the word photography the words light and drawing lie around. Up to the time of the invention of photography people where painting in multi chrome and drawing in mono chrome; and the pointillists or neo impressionists were beginning to paint with small dots of pure colour that where blended together in the eyes of the viewers of the resulting work not unlike the pixels of modern digital photography.

Their world changed and the new black and white pictures of those first photographers pushed aside the non photographic realist artists of the period as photographers went to the front line of war, adverts begun to employ the photographer rather then the painter and more and more portraits of the famous where done through photography rather then artist and paint brush. There was a time when photography just did realism better then the painter with colour and brush of the time. If the technology of the time had permitted and photographers had started out with colour, we might have been known as photo portraitists rather then photographers.

The realism of that period of photography was backed up by the little slip of plastic covered in emulsion that we call the photographic negative; in the analogue or film age of photography the realness of the photograph could be just broken or backed up by the production of the original negative.

Now in our modern digital photography world news wire services like Reuters ask their Photographers to give in unprocessed .jpg files straight from their cameras because of the eroding of the realness in the public eye by ‘over processing’ of image files in the digital news picture industry and in the modern photography arena in general.

Though I too love the creamy colour of the modern digital photograph, I prefer the crisp image that my rangefinder lens provides me with the no nonsense provability that colour film in my M6 camera still gives me and my readers… JR

ON THE PORTRAYAL OF THE HUMAN FORM

Durban's People, a young model on a street fashion photo set, Bulwar Park,  Glenwood, Durban, South Africa.
Durban’s People, a young model on a street fashion photo set, Bulwar Park, Glenwood, Durban, South Africa.

 

As a narrative photographer I take pictures of what is around me, I don’t go into a studio situation to get a picture of say ‘two people looking meaningfully into the middle distance’ or ‘someone next to a window in the morning light.’

I once saw the Oliver Stone film Salvador with two student friends, Hamish was studying commercial photography, Bruce was studying journalism and I was a interior design student. Salvador is a film about two photogs covering the war in Salvador in South America, I came out of the cinema hyped, telling Hamish that as a photographer he should do this type of work when he was finished with his diploma, Hamish just looked at me as though I was mad. Hamish went on to be a successful commercial photographer and I went onto scraping out a living as a narrative photographer. Though both Hamish and I use the same cameras, I seem to think quite differently about photography to Hamish as a commercial photographer. I never wanted to become a war photographer as in Salvador but I have perceived life as it is around me as a photographer.

As Hamish though I was mad, I too have had a hard time understanding the ways of some other photographers in the portrayal of the human form. I posted the following on a Facebook photographic group: What is it with some (group Name) photographers and young womans bottoms and boobs? I got 10 likes and 1 reaction and the comments ranged from because I like it, I can and a sarcastic don’t you know? to the quite defensive and the inclusion of the word pornography. One photographer’s model said “if you have it flaunt it.” 

Then there was also the inclusion of the word passion and the sense of the decisive moment which I as a narrative photographer can understand too, I now think that it is something about the personal thrill of the photographer concerned in getting a preconceived concept together. Maybe it’s the same way I get a thrill when a moment came together when I have done a portrait on the streets of Durban.

I think we all as photographers have our driving forces, some forces are exclusive to the different types of photography, and other forces are common to us all.